Matt Moore is out for the Utah Archers’ game against the New York Atlas on Friday due to a right hip injury.
Moore has been nursing a hip issue – he’s been listed as questionable multiple times this season – and sat out the last six minutes of the Archers’ loss to the Denver Outlaws last Sunday as a result.
Moore missing Friday’s action hurts a Utah offense that has been searching for answers so far in 2025. The righty attackman is fourth on the team in points (seven), tied for first in goals (six) and first in touches (115). He provides a physical dodging presence on the righty wing that the club will miss against the Atlas.
His absence also means the Archers lose a player who demands a pole. In its two championship runs, the Utah offense thrived by lining up too many must-pole players for four long sticks to cover. Alongside Tom Schreiber, Grant Ament, Connor Fields, Mac O’Keefe and now rookie Sam King, Moore is one of those guys who can abuse short-stick matchups.
Ament is the logical first option to fill in for Moore at attack. The 2021 Attackman of the Year has unmatched positional versatility. But Utah might want to keep Ament at the midfield, where he can exploit favorable matchups and has more room to operate.
“I think he’s better in space,” head coach Chris Bates said of Ament. “He did some things in that game [against the Outlaws] where he was helping generate offense in really good ways. He came out of the box and, all of a sudden, you see that burst.”
Ament has had a relatively slow start to the 2025 season with two assists and no goals (0-for-9 shooting) while he’s dealt with a hamstring injury. But Bates says he’s healthy and has emphasized that the points will come if the team can use him right.
“We’ve got to try to get him in space,” he added.
While he hasn’t been as productive as he was early in the season last year, the All-Pro midfielder has still had his moments. One came right after halftime on Sunday when Ament dusted renowned speedster Zach Geddes out of the box and found Schreiber open on the crease.